7.13.2019
3.12.2019
Illustration Across Media: Nineteenth Century To Now
Organized by the DB Dowd Modern Graphic History Library and the Norman Rockwell Museum, this symposium brings together scholars from across the humanities and the arts to explore the history, context, and theory of illustration in the United States from the nineteenth century to now.
As a set of practices and a cultural force, illustration emerged in the nineteenth century as a new and distinctly modern phenomenon. A vital component of the visual cultures of advertising, design, publishing, and entertainment, illustration is omnipresent in modern America. Yet its historical, contextual, and theoretical specifics—from modes of production, distribution, reception, and repetition to mandates of communication and consumption—remain relatively unexamined by scholars, art critics, and practitioners. Likewise, a taxonomy of the field—shared definitions of illustration, for example—is lacking. This symposium aims to bring together scholars and researchers across multiple fields including art history, history, visual and material culture studies, American Studies, consumer studies, book arts, childhood studies, literary criticism, media studies, and more who would like to join others in constructive conversations focused on developing the emergent field of illustration studies. REGISTER HERE. The deadline for registration is Friday, March 15.
1.01.2019
Raymond Briggs: Snowmen, Bogeymen & Milkmen
Forty years ago, Raymond Briggs used a pot of coloured pencils to create The Snowman, a wordless book of illustrations which would inspire the film enjoyed by millions of British households every Christmas. His timeless story of the friendship between a young boy and a Snowman continues to delight generation after generation with its effortless blend of warmth, humour and sadness.
After creating an instant classic with The Snowman, Briggs disturbed a generation with his anti-nuclear story When the Wind Blows, enthralled kids and adults alike with Fungus the Bogeyman and Father Christmas and, in recent years, moved readers to tears with Ethel & Ernest, a touching account of his parents' life story.
Raymond Briggs has been celebrating the ordinary and making it extraordinary for five decades. And the characters he has created have been both popular and influential. As Nick Park says in the film, he couldn't imagine Wallace and Gromit without the experience of reading Briggs's books. This playful, moving and often emotional portrait is told through interviews with Raymond, specially commissioned animation illustrated by Chris Riddell, and contributions from friends, colleagues and admirers, including Andy Serkis, Nick Park, Steve Bell and Posy Simmonds.
Subscribe to:
Posts (Atom)